Soloist, Royal Swedish Ballet
2016 retired from Royal Swedish Ballet
2010-present Royal Swedish Ballet
2008-2009 danced with Les Ballets de Monte Carlo.
2007 a member of the comapany stockholm59°North,
soloists and principals of RSB
2007 appointed soloist.
1991 joined the Royal Swedish Ballet straight after graduation.
1983-1991 studied at the Royal Swedish Ballet School in Stockholm.
Training/experience: Mostly with Christina Bernal (an important and great inspiration), New York and San Francisco. Lupe Serrano at Natinonal Ballet School of Washington. Worked with Marianna Tcherkassky in a workshop by Kevin Mckenzie the same year. David Howard and Nancy Bielski at David Howard´s Dance Center. Kevin Hagen, Bonita Borne and Jonathan Watts at the ’Bartholin Seminar’ in Copenhagen. Contact improvisation and improvisation with Shintaro Oue and Tilman O´Donnell.
Roles:
Von Rothbart in Swanlake, by Natalie Conus, Espada in Don Quijote by Rudolf Nurejev, The Posthorn in Mahlers 3rd symphony and the Erotic Aspect in Peer Gynt by John Neumeier, The Rajah in La Bayadère, Lord Capulet, Benvolio and the Mandolin Solo in Romeo and Juliet by Kenneth Macmillan, Sycorax and Stefano in The tempest by Glen Tetley, Lilac Fairy´s Cavalier, the Oriental Prince, Gallison and the Wolf in The Sleeping Beauty by Beryl Grey, Furst Gremin in Onegin by John Cranko, King Mark in Tristan by Krystof Pastor, Superintendent in Cinderella, Paris in Romeo and Juliet by Jean-Christophe Maillot, The Chosen One in Rite of Spring by Maurice Bejart, Ratking and Uncle Blue in Nutcracker by Pär Isberg. King of Haerts in Christopher Wheeldons Alice in Wonderland.
Solo parts:
Tyll and Midsummernightsdream by Alexander Ekman, Castrati by Nacho Duato, Lightbeings by Mats Ek, Händel by Alonso King, Rivers by Alvin Ailey, In the Upper Room, Solo boy in Push Comes to Shove by Twyla Tharp, Solo couple in Tableu by Christian Spuck. Also worked with: Örjan Andersson, Per Jonsson, Ingund Björnsgård, Ina Christel-Johansen, Tim Rushton, Nils Christie, Matjash Mrozewski.
